HWC President’s Gallery, 11th floor :: 10:00am Wednesday, March 12, 2025

Aram Han Sifuentes

Fiber :: Social Practice Artist

Aram Han Sifuentes is a fiber and social practice artist who creates participatory projects that center immigrant and disenfranchised communities. Her work often revolves around skill sharing, specifically sewing techniques, to create multiethnic and intergenerational sewing circles, which become a place for empowerment, subversion, and protest. Solo exhibitions of her work have been presented at the Jane Addams Hull-House Museum, Chicago; Hyde Park Art Center, Chicago; Chicago Cultural Center, Chicago; Pulitzer Arts Foundation, St. Louis; moCa Cleveland, Cleveland; and Skirball Cultural Center, Los Angeles.

She has received numerous awards including a Smithsonian Artist Research Fellowship, 3Arts Award, 3Arts Next Level Award, Map Fund Grant, and Joyce Award. Her project Protest Banner Lending Library was a finalist for the Beazley Design Awards at the Design Museum (London, UK) in 2016. She earned her BA in Art and Latin American Studies from the University of California, Berkeley, and her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago. She is currently a professor, adjunct, at the School of the Art Institute of Chicago.

“As an immigrant and a daughter of a seamstress, I learned to sew at age six - not a choice, but rather a necessity to help my mother earn a living. In this way, sewing has ever since been an important part of me, my body memory, and my politics. Sewing is my medium to investigate identity politics, immigration and immigrant labor, possession and dispossession, citizenship and belonging, dissent and protest, and race politics in the United States.

My art practice sits at the intersection of fiber, social practice, performance, and pedagogy. Through my work, I aim to con- front social and racial injustices against the disenfranchised and riff off of official institutions and bureaucratic processes to reimagine new, inclusive, and humanized systems of civic engagement and belonging. I do this by creating participatory and active environments where safety, play, and skill-sharing are emphasized. And even though many of my projects are collaborative and communal in nature, they incite and highlight individual’s experiences, politics, and voice. Much of my communal work revolves around sharing skills as a point of connection. We share sewing techniques, to create multiethnic and intergeneration- al sewing circles, which become a place for empowerment, subversion and protest.”